Turiyatita vision at a subatomic level: The Superstring
In the turiya state in its purest form there is no visual experience, but this is not the case with turiyatita vision. In one turiyatita vision experience, there was an unbroken period of eight hours in which more than one hundred different structures were observed, most of them remaining visible for two to five minutes.
Some of these structures were subatomic, and most of them had more than three spatial dimensions.
One was a slowly rotating zigzag spiral with what seemed to be 10 lateral branches. The spiral was perceived as slowly rotating, but it was not clear if this was perceived in real time – if that means anything at this level – because there is no point of reference. The structure was visible as white lines of light against a dark background. It is rather strange that structures at this level are seen as lines of light, because such structures are much smaller than a photon. This probably has to do with subtle energies. Although this structure must in reality have been extraordinarily small (perhaps close to Planck length, which could perhaps explain its multidimensionality), it appeared as if it was forty centimeters high and at a distance of three meters.
When this observation was made (on Tuesday August 31, 2004), there was as yet no realization that this structure might be the (Super)string. Strings are normally depicted as flexible rings which look like three-dimensional structures. The realization came later that the structure that had been seen was closed like a loop, and was in fact the (Super)string.
The model of this multi-dimensional structure is given here: With 10 dimensions and curled in the 11th dimension.
The model given here is a spiral with 10 branches. Every branch is in a different dimension, and the total structure is curled in the 11th dimension. This remarkable curvature takes not only place within the total structure, but this curvature is also present in each branch. This is a rather strange phenomenon, within the normal three spatial dimensions such a curvature by which a line is curved into itself, would generate a ring, a circle, but here a line is curved into itself without becoming ring-shaped and while being functionally curved, it still remains a straight line.
This fits the description given of the string in the M-theory. As the model shows, the structure is partly closed (the central line) and partly open (the branches). Only four or five of the branches were visible at the same time: while the structure slowly rotated, the branches disappeared one by one into another spatial dimension, while yet others appeared one by one behind them. The central line, however, remained visible all the time. The branches are exactly the same length as the central lines between them. In other words, all the lines of force, the 10 branches and the 10 lines that form the central spiral are all lines of the same length.
Some may appear shorter, especially in the 3D drawings, but that is because they are seen from a different angle (foreshortened).
How the geometry/form arises
The central line bends at each point where one of the force lines (branches) connects with it:
Accordingly, each time one of the 10 branches joins the central line, the central line twists:
This creates a spiral which turns 720 degrees (so to speak) before returning to the starting point. The two colored lines in the figure show the curl in the 11th dimension. These two lines are really only one line. The structure itself was totally white. The blue color has bin added in this drawing to show the curl in the 11th dimension.
This model can be investigated mathematically.
Why the string vibrates:
The string vibrates because its central line is a spiral and the total structure (the string) slowly rotates.
Rotating midway between 10 rpm and 20 rpm
This chapter is accompanied by six illustrations:
* One technical two-dimensional drawing (figure 11) and five three-dimensional illustrations of a string structure with 10 + 1 dimensions.
See figures 12 to 16.
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"A philosophical treatise can be mostly written in object or process language,
but phenomenological descriptions must be by its very nature first person descriptions.
It is for this reason that self-observations, and personal experiences of the author are included."
Marinus Jan Marijs.






